?SOTOPOS + CHAMBER MUSIC

By Pere Soto

Por fin después de casi 10 años de espera, sale remisotopos II + Tavo Nandayapa. Siguiendo la línea estética del primer volumen, es decir que toda la música es música libre creada en el momento, en esta ocasión invitamos a uno de los bateristas más activos en la escena del jazz/improvisacion libre en México, Tavo Nandayapa. La guitarra acústica de Pere Soto no se cansa de proponer y de invitar. Es por eso que la creatividad rítmica y tímbrica de TN se ajusta perfectamente a lo que está sucediendo, claro está, sin dejar de proponer. Mi participación en la flauta es similar al paso de las nubes en la montaña. La música de Remisotopos II + TN es la música de este efímero presente.


About the Artist

Pere Soto

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Pere Soto was Born in Badalona (Catalonia, Spain). Guitar player, composer, arranger, music producer and a self-taught musician, he is known in the international scene for his esthetical flexibility that covers styles as diverse as gypsy jazz, free jazz, Avantgarde, jazz fusion, Bebop, classical music, contemporary and electroacoustic music, mostly XX century styles. A self-taught musician, he has studied temporarily only on two occasions with great teachers like Gabriel Breznic (Chile) with whom he studied classical harmony in intensive course of three months and in Mexico with Victor Rasgado whom he studied serialism, Twelve-tone technique—also known as dodecaphony, Olivier Messiaen language, pitch class techniques and Bach Canon inverted for XX century composition. Currently, his work as a composer exceeds the amount of 1300 registered compositions at the SGAE, (Sociedad General de Autores de España) among Jazz music and classical music. He is also currently active as a music producer, with his own recording studio and as a consultant-engraver for music publishing companies, schools, etc. Right now he is publishing his own works with 3 publishing Co., Clivis publication and La mà de guido from Catalonia (Spain) and Bergmann Edition of Denmark.

MORE INFO: WWW.PERESOTO.COM

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